The
Reason for Jazzathon
Africa, a continent
rich in cultural
diversity, and
rich in natural
mineral wealth,
was a perfect
target for the
American and
European music
and film Industry
They moved into
Africa with
their own music
and films and
offered Africans
a reflection
of what they
believed was
a perfect way
of life, they
even tried to
show Africans
what African
music should
sound like.
I am in no way
saying that
all those music
forms are strictly
taboo, as it
has had a major
influence in
the modern sound
that one hears
emanating from
Africa - but,
that is exactly
what it should
have remained,
an influence,
not a substitute
for the sounds
produced by
Africa.
To this very
day local promoters
are bringing
overseas artists
into the Country
and receiving
major sponsorship
support from
local corporations.
Why can we not
embrace our
diverse cultures?
Why can we not
look within
our own borders
to see how we
can harness,
nuture and showcase
the rich musical
culture our
Continent has
to offer?
The international
music industry
generates in
excess of 200
billion dollars
and in Countries
where the government
has supported
their respective
music industries,
music has proved
to be a huge
source of revenue
for their country.
Can Africa not
benefit from
such a revenue
stream?
Music worldwide
has been one
of the voices
of the poor,
if we look at
our own country
and interview
the people that
lived in areas
we know to have
been poor townships
created by our
past government,
they tend to
speak sadly
about the struggle
to survive in
past years but
ask them about
the music that
was produced
in those very
same townships
and a beam of
delight lights
up their faces
as they recount
tales of how,
where and who.
Listening to
the elders in
our music Industry
we find an enriched
history of music
giants who kept
the music playing
and who influenced
many of our
youths today.
Most of our
very own musicians
who were exiled
or went into
voluntary exile
have become
international
music giants.
The
Jazzathon
Story
The Jazzathon
was started
9 years ago
by three people,
armed with
nothing but
passion and
sentiments
for a bigger,
better, local
music industry.
To achieve
this, the
three friends
embarked on
organising
a 4-day festival
in their hometown,
Cape Town,
with the distinct
goal of showcasing
purely local
talent.
Soon, however,
it was realised
that after
the first
festival,
it was going
take much
more than
just local
artists to
educate the
local public
about homegrown
music and
musicians.
Thus, the
friends as
new junior
promoters,
approached
an international
artist, Joe
McBride, who
they knew
to be very
popular in
Cape Town's
music community,
after his
remake of
the classical
hit Sunny,
and asked
him to perform
at the festival.
It was also
realised that
having Joe
perform at
the festival
with his own
band would
be just feeding
the local
public overseas
music so the
promoters
insisted that
Joe use local
musicians
to back him.
He agreed
and soon it
was arranged
for local
muso's, Musa
Manzini, Allou
April, Buddy
Wells and
Vincent Pavitt
to back him.
This project
proved to
be very successful
in drawing
the numbers
to the festival
and most importantly,
the reaction
of the local
public towards
the local
backing band
was phenomenal.
Seeing our
very own artists
in this new
light, seemed
to elevate
the respect
for local
talent to
local audiences.
Through the
following
few years
the promoters
elevated their
passion into
ideas that
continued
to import
a few international
artists to
the festival
and continued
to insist
that local
musicians
back them.
After approx
3 years of
this process,
international
artists were
phased out
as the festival
continued
growing in
numbers despite
the fact that
international
artists were
not prominent
features anymore.
Today, 9 years
later, the
then new,
junior promoters
are now referred
to as JCQ
Productions
and, the Festival
showcase is
referred to
The Jazzathon.
Jazzathon
is hosted
over a four
day period,
features mainly
local artists
from the African
continent
with the occasional
incidental
international
artist.
The
current status
of Jazzathon
The Jazzathon
not only entertains
huge crowds,
but also showcases
an average
of 50 bands,
comprising
of about 35
Cape Town
bands and
about 15 bands
from outside
of Cape Town.
JCQ Productions
employs the
services of
approx. 20
service providers
and also employ
about 50 production
staff.
JCQ Productions
also engages
a current
series of
local, mini-concerts
as an element
and measurement
that culminates
into the Jazzathon
festival.
This series
of concerts,
hosted in
and around
the Cape Peninsula,
acts as an
artery which
feeds the
festival with
new emerging
talent.
JCQ's vision
is to grow
their series
of one-day
concerts to
beyond the
borders of
the Cape so
that they
could have
arteries from
the different
provinces
feeding the
festival annually.
The Plan of
Jazzathon
is to move
to a different
province annually
and eventually
have a concert
series running
in the greater
part of the
Continent
and thus feeding
the Festival
with emerging
artists from
the whole
of Africa.
Jazzathon
- The Vision
The Jazzathon
aims to celebrate
South African
and African
music culture.
The people
who share
the same passion
will showcase
South Africa's
rich cultural
heritage to
a global audience.
The showcase
will be a
true reflection
of South African
and African
music, which
contains elements
of jazz. The
festival event
will, reflect
the 10th Anniversary
Celebration
of the festival's
successful
existence.
The core
values of
the festival
remain:
1. An affordable
and free-to-public
festival
2. Hosted
at the premier
tourist attraction/destination
- The V&A
Waterfront
3. Held in
peak holiday
season
4. Features
primarily,
contemporary
South African
acts
5. Diverse
variety of
exciting elements
Basic
Jazzathon
Format
General
Audience Attendance
- Average
of 500 000
People annually
Duration
- 4 Days,
or 40Hrs,
or 10Hrs/day
Venues
- 3 stages
at the V&A
Waterfront
Program
- More than
40 Performances
Artists
- More than
300 performers
Jazzathon
Objectives
To
provide a
platform for
local musicians
to showcase
their talents
To
provide an
opportunity
for emerging
musicians
especially
those from
previously
disadvantaged
sectors of
the community
To
facilitate
the interaction
of local and
international
artists
To
provide opportunities
for local
charity organisations
to use the
event as a
vehicle for
awareness.
To
promote reconciliation,
unity and
a common nationhood
To
pay tribute
to those who
used their
musical talents
to shape our
cultural,
intellectual,
moral values
and traditions
in pursuit
of Human Rights
and Democracy
To
contribute
to the growth
of tourism
in South Africa
To
Educate and
develop the
cultural heritage
of South Africa
A
Decade of
Jazzathon
1996
- 2006
Jazzathon
celebrates
10 years as
South Africa's
leading music
festival.
The primary
aim of this
event remains
to provide
a platform
for local
musicians
to highlight
the unique
style and
sounds of
South African
flavored Jazz.
The producer
of the festival,
JCQ Productions,
has managed
to blend the
unique, creative
and organisational
structure
of the festival
and into a
highly effective
and efficient
musical celebration
in an attempt
to take the
project to
another level.
These ideals
have transformed
Jazzathon
from a conception
into an internationally
recognised
jazz festival.
The achievement
of this goal,
in such a
short space
of time, within
the parameters
of the Jazzathon
objectives,
is aimed at
contributing
to a focus
in social
investment
and responsibilities
to the community
at large inclusive
of education,
tourism and
development.
JCQ's original
and previously
set objectives,
have provided
the guidelines
for Jazzathon
and proves
the determination
to succeed
based on the
original vision
as proposed
at the birth
of the company
and its flagship
project.
Summarized
History
1996
Three friends
share their
passion for
South African
music and,
after extensive
research of
the status
of the industry
in that year,
the guys decide
to organise
and finance
their own
project aimed
at revitalising
the music
industry and
South African
musicians.
The members
of this group
eventually
became the
primary members
of JCQ Productions
1997
The First
Jazzathon
is produced
on a R17 000
budget as
the primary
members dig
deep into
their pockets
to fund the
project. This
is the first
ever annual
4 day music
festival in
Cape Town.
The only promotional
and marketing
interest came
from Fine
Music Radio,
one of the
pioneering
community
radio stations
of the time.
FMR then became
the Media
sponsor. The
TB Alliance
climbs onboard
as the charity
of choice
and uses the
project as
part of their
awareness
campaign to
highlight
the plight
of Tuberculosis
in the Western
Cape.Other
sponsors include
Readers Digest,
SAPPI, and
Forum Cigarettes.Jazzathon
attracts around
20 000 people
1998
A few months
after P4 Radio
was opened
in 1997, the
management
of the station
realised that
the values
associated
with Jazzathon
was on track
with the values
of the station
and thus used
the festival
to introduce
the people
of Cape Town
to their purpous
by launching
and branding
the festival.
Thus P4 Radio
was the soul
sponsor of
1998.
After only
two years
Jazzathon
firmly establishes
itself as
Cape Town's
premier Jazz
and Entertainment
event. This
four day festival
held at the
V & A
Waterfront's
AGFA amphitheatre
succeeded
in boosting
the waterfront's
visitorship
figures to
an unprecedented
total of 263,
624 for the
four days
in January
1998.
The response
from national
and international
visitors was
extremely
positive and
this coupled
with the local
support created
a vibrant
atmosphere
during the
performances.
The Jazzathon
project includes
the association
of a major
radio station(P4
Radio) as
media sponser
broadcasting
live from
the amphitheatre.
P4 Radio,
the first
Cape Town
based jazz
radio station
is launched
at the festival
and underwrites
the festival
budget
The entire
event is free
of charge.
1999
Sponsored
by STANDARD
BANK for the
first time
Additional
aims are to
contribute
towards the
promotion
of tourism
in the Western
Cape and assist
an appropriate
charity to
use the Jazzathon
as a vehicle
for a fundraising
and awareness
campaign.
Ultimately
to position
Cape Town
as the jazz
capital of
Africa by
launching
the 1st Cape
Town International
Jazz Festival.
A Jazz Village
is introduced
to Jazzathon.
The first
international
musician to
perform at
Jazzathon
is Joe McBride.
Joe was backed
by a full
SA backing
band. A live
CD is recorded
and a limited
edition released.
2000
Sponsored
by STANDARD
BANK
The Jazzathon
millennium
Bash including
Venues such
as the Three
Arts and the
City Hall.
Record attendance
at the waterfront
- 750 000
people. The
Waterfront
has to close
access for
vehicles
JCQ Productions
joiuns forces
with a US
based company
to produce
a compilation
studio recording
featuring
33 SA musicians.
The album
is Co- produced
by JCQ Productions.
This CD (Smooth
Africa) is
released to
coincide wiuth
the launch
of the 4th
Annual Jazzathon.
The Cd reaches
emmense popularity
( made top
10 US Smooth
Jazz charts)
in the US
and is also
distributed
in Europe.
The UK based
super Acid
Jazz band,
Incognito,
wows a crowd
of 5000 people.
Sibongile
Khumalo and
Hugh Masekela
play to full
house at the
Cape Town
City Hall.
Jazzathon
breaks all
attendance
records at
the V&A
Waterfront.
Smooth Africa,
the album,
is nominated
for a Grammy.
2001
Sponsored
by STANDARD
BANK. The
event's aim
was to Celebrate
Africa. Jazzathon
- Cape Town
hosts all
African musicians
and artists
and releases
a total South
African produced
CD, Jazzathon
- an African
Celebration.
The 4 day
festival at
the V&A
Waterfront
amphitheatre,
4-7 Jan, features
only South
African and
African artists
and again
breaks all
attendences
records since
the inception
of the waterfront
including
the waterfront
millenium
bash.
The Cd will
first be launched
in CT and
then exported
to international
markets in
March 2001.
2001
THE STANDARD
BANK ROBBEN
ISLAND JAZZATHON
on 17 February
2001, took
place on Robben
Island and
featured Jimmy
Dludlu, Jonathan
Butler and
Miriam Makeba.
Not the cape
doctor (wind)
nor the high
seas kept
people away.
This was The
First Robben
Island Jazzathon
2002
The Festival
Sponsored
by STANDARD
BANK
Breaks all
attendance
records and
Features South
African Artists
only
The addition
of the second
stage at Pier
Place
The first
series of
concert in
the park -
4 concerts
2002
THE STANDARD
BANK JAZZATHON
on 16 February
2002, took
place on Robben
Island and
featured Judith
Sephuma and
Mori Kante.
The festival
was sold out
2003
JAZZATHON
features 2
Stages. Again
breaks all
previous attendance
records
Second compilation
released.
Sponsors include
Standard Bank,
V&A Waterfront,
Cape Grace,
BMW, CD Wherehouse,
etc
to be continued
Moving the
Second stage
to the Clock
tower
The second
series of
concerts in
the park -
6 concerts
2004
THE STANDARD
BANK JAZZATHON
on 16 February
2002, took
place on Robben
Island and
featured Judith
Sephuma and
Mori Kante.
The festival
was sold out
The Addition
of the third
stage
The addition
of the corporate
marquee
The third
series of
concerts in
the park -
8 concerts
2005
JAZZATHON
features 2
Stages. Again
breaks all
previous attendance
records
Second compilation
released.
Sponsors include
Standard Bank,
V&A Waterfront,
Cape Grace,
BMW, CD Wherehouse,
etc
to be continued
Moving the
third stage
and corporate
marquee to
The North
Wharf
"
JAZZATHON
COMMITS TO
THE PROMOTION
OF SOUTH AFRICAN
AND AFRICAN
MUSIC GLOBALLY.
JAZZATHON
WILL EMBARK
ON AN INTERNATIONAL
CRUSADE TO
SPREAD THE
THIS RICH
CULTURAL HERITAGE"
Visit
the Jazzathon
website.
|